Mistakes – Fotosolution.com

Mistakes Photographer Make That They Should Avoid

Photoshop is one of an essential tool that photographer use to highlight and turn into perfect artwork. We have all been there. We have discovered some new tool and technique. Using Photoshop can help your image become amazing image, we are doing it to everyone, but we’re really doing ourselves more harm than good. Also, we need to use Photoshop in the most effective way and avoid the mistakes especially photographers.

In this tutorial, you’ll learn common mistakes photographer make and why you should avoid it.

Creating to Many Layers

Creating to many layers will one of reasons that obstructed the success of your artwork. Too layers make you no focus on main layer, this will create big limitation for your plan. In some cases, getting more granular about your editing can be useful, but more often than not the sign of an amateur who doesn’t know how to properly use adjustment layers and Smart Objects. Approving the first mistake, you should learn to group them or how to use Smart Object organise.

Not Using Smart Object

Smart Object is a perfect tool that support your image to become more stunning. For example, with Smart Object, you can perform nondestructive transforms. You can scan, rotate, skew, distort,….or warp layer without losing original image data. Or when you covert a new layer to Smart Object, you can easily replace it content. Also, if you don’t know the benefit of Smart Object and take advantage of them, it is big mistakes for you. You need to understand that Smart Object is one of Photoshop’s most powerful and valuables features.

Using the Wrong Document Setting

When it comes to resolution, pixel dimensions matter… DPI does not. DPI will only affect your printed image. Also, if you are planning to print, stop converting your image to CMYK before printing. Your printer probably has it’s own custom color profile that will produce more accurate results than Photoshop conversion. In other words, DPI doesn’t make a difference if you don’t print it, don’t convert CMYK. Let’s your printer it.

Unnecessary Luminosity Masking

Light is an important element to highlight your image. Light helps to create a particular mood within the photograph and can bring emphasis to key elements within a frame. In addition, light can help create depth and textures in an image by creating a mix of highlights and shadows.

If the ability to affect Shadows, Highlights, and Midtones individually is built into a tool, use luminosity masking is great choice. Many of Photoshop’s filters and effects will let you specifically target highlights, shadows or midtones anyway.If you forget to use luminosity masking for your project, let’s stop wasting time and use the build-in masks.

Overprocessing

The need of HDR is in the growing use of panoramic images. An HDR panorama will provide more immersive detail, providing detail observable to the human eye in the real-life scene that would otherwise be lost by traditional photography.

So, let’s stop with the plastic frequency separation, overcooked HDR and ridiculous vibrance levels. No matter how advanced a Photoshop user, are immune to making post-processing mistakes.

Here are some sharing information about mistakes Photographer make that they should avoid. What mistakes have you made with Photoshop that you’ve ended up regretting?. Let’s us know and show show off some of your own failures in the comment.

If you have any opinions as well as any questions concerned about this subject, let me know your though in the comment below.

Choosing the ubiquitous for shooting is a thing that is not too difficult for photographers even for beginner. Simply, most of people always choose white background portrait because they think it’s easy to achieve. Simply you put your subject in front of the camera against a white background, preferably with a flash or strobe, and take the picture.

Unfortunately that thought is completely wrong. The best possible result would be an off-white background after you have done some edits. That’s not the only issue though because you’d be dismayed to see unwanted shadows everywhere too. To understand more these wrong for shooting, here are 3 basic mistakes to avoid when trying to achieve a 100% pure white background for beginners.

Mistake #1 The background is not lit properly

The first thing that we need to interest in is the background. The background must be lit with approximately two stops more light, than the amount of falling on the subject. For example, if you want to photograph your subject at f/8, set your background lights to two stops brighter, so the meter would read f/16 on the background.

Note: You need to meter both background lights separately, so that when metering for the main light, you would turn the background lights off, and vice versa.

Your camera settings for all the shots in this setup were: ISO 250, 1/160th of a second, shot at f/8 for Sven, (the background read f/16). The speedlights were set to 1/16th power. If you are using the SB900 Nikon, firing at 1/1 power, not only does it drain the batteries very quickly, but also makes the flash overheat. If you don’t like using Nikon for digital photos, you can use two SB910s and one SB900 were used for this setup. This is great suggestion for your choice.

Mistake #2 Not enough subject background separation

You need to separate them from the main subject because the background lights are brighter than usual. There are two key ways of doing this: flagging and distance

Flagging

You can use anything block to flag your lights; the black side of a reflector, black cardboard sheets, black foam core. Black does not let light in, instead it absorbs light rather than bounces it. It also blocks light from seeping through to places where you do not want it. If you don’t flag or block your background lights, your subject will get a halo effect and look very backlit.

Distance

Once you have flagged your lights, you need to distance your subject far enough away the background and background light so that any spills won’t touch your subject. This depends on your personal preference and creativity. For example, you may want some spill on your subject for a certain look or effect, or you may not.

If you do want some spill on your subject, make sure to run a few tests with various lenses, as chromatic aberration tends to occur around the edges due to the abundance of light. Some lenses are prone to chromatic aberration irrespective of aperture, while others can handle it very well even at wide apertures, where it is most commonly observed. Besides, be careful with the amount of spill you allow so as not to chop off parts of your subject from the spill overexposure.

Mistake #3 The subject is floating

If you do not include some floor shadows, your subjects will look like they are floating on white air, or cut out and pasted on a white sheet of paper.

The best suggest for avoiding floating subjects is to use a reflective surface like translucent white Plexiglas, or white tile sheet, this will help you avoid the bad thing and not affect the result . You can adjust the opacity of this reflection in Photoshop during post-processing, but having the reflection shows that your subject is planted firmly on solid ground.

These some simple guide will get you well on your way to creating professional and consistent images that really make an impression with prospective customers. Hope that they will be useful for you especially for beginners.

Thanks for watching!.